At this age, communication is basically "I have a big feeling and I don't know where to put it." Most shows for this age group are just bright colors and repetitive songs, but a few actually give kids—and parents—the scripts they need.

I know, the songs will get stuck in your head until the end of time. But Daniel Tiger's Neighborhood is essentially a "how-to" manual for emotional regulation. What makes it great for communication is how the adults respond to Daniel. They don't shut him down; they validate the feeling first. "It's okay to feel sad sometimes, little by little you'll feel better." It’s basically therapy for toddlers.

If you want something a bit more "chill" and less "educational-in-your-face," Trash Truck is beautiful. It’s about a boy, Hank, and his best friend (a literal trash truck). The parents in this show are remarkably calm and supportive without being preachy. They let Hank explore, they listen to his imaginative stories, and they handle the "weirdness" of having a trash truck as a best friend with total grace.

This is the ultimate "gentle parenting" show. The sibling dynamic between Oona and Baba is precious, but the way their parents guide them through the dangers of the island—without fear-mongering—is a great lesson in setting boundaries through explanation rather than just saying "because I said so."

This is the era where things get tricky. Friendships get complicated, school gets harder, and kids start to realize their parents don't actually know everything.

If you haven't watched Hilda, stop what you're doing. Hilda is an adventurer, which often leads to her lying to her mom (Johanna) about where she’s going. What makes this show incredible for communication is the fallout. When Johanna finds out Hilda lied, they have real, tense conversations about trust. Johanna doesn't just ground her and walk away; she explains why the lie hurt and how it makes it harder for her to keep Hilda safe. It’s a masterclass in mother-daughter dynamics.

Steven Universe is basically "Emotional Intelligence: The Show." Steven’s relationship with his dad, Greg, is one of the healthiest on TV. Greg isn't a "cool" dad or a "rich" dad—he lives in a van—but he is always there to listen. He respects Steven’s autonomy while providing a safe place to land. The show also tackles complex topics like consent, identity, and grief in ways that give you the perfect opening to talk to your kids about the same things.

Molly is a relentless optimist, but her family deals with real-world stress like financial instability and moving. The way the McGee family talks about their "bad days" is refreshing. They don't hide the struggle from the kids, but they don't dump it on them either. It models how a family can be a team.

Learn more about the best shows for elementary-aged kids

This is the "boss level" of parent-child communication. This is where the door-slamming starts and the one-word answers ("Fine," "Whatever," "I don't know") become the norm.

This show is a reboot of the classic, and it is phenomenal. It covers everything: anxiety, coming out, cultural identity, and veteran life. Penelope is a single mom who is doing her best, but she loses her cool. Her daughter, Elena, is a social justice warrior who can be a lot to handle. They clash, but they always come back to the table. The show models how to have "the big talks" without it feeling like a "Very Special Episode."

While there is a lot of "heavenly realm" action and cool fights, the heart of American Born Chinese is the relationship between Jin and his parents. It captures that specific tension of being a second-generation immigrant, where communication isn't just about words—it's about culture, expectations, and the things that go unsaid. It’s a great watch for parents who want to understand the "hidden" pressures their teens might be feeling.

This reimagining of the classic show follows a Black family in Montgomery, Alabama, in the late 60s. The parents, Bill and Lillian, are incredible models of how to talk to kids about heavy, systemic issues (racism, war, politics) while still letting them be kids. Their dinner table conversations are exactly what we should be aiming for: a space where every kid’s perspective is heard.

Fair warning: this one is definitely for the older teens (it’s got plenty of "high school" content). But the core of Never Have I Ever is the grief-stricken, volatile, and ultimately loving relationship between Devi and her mother, Nalini. They are both hurting, and they take it out on each other. Watching them slowly learn how to communicate their grief instead of just their anger is powerful.

According to recent data, about 45% of teens say they feel "constantly" connected to their devices, which often means they are communicating more but feeling less heard. When we choose shows that model healthy communication, we’re doing two things:

You don't need to turn every episode into a "teaching moment." In fact, please don't—that’s the fastest way to make your kid hate the show. Instead, try these low-key approaches:

Check out our guide on talking to teens about social media

TV doesn't have to be "brain rot." While we all need a little Minecraft or mindless YouTube time occasionally, the stories we consume shape our "community norms" within the house.

If you’re seeing your kid start to use "Ohio" as a way to shut down conversations or they're retreating into their phones, it might be time to swap the mindless scrolls for a show that actually has something to say.

Start with Hilda if you have elementary kids, or One Day at a Time if you have teens. You might be surprised at how much easier the "real life" conversations become when you've seen them played out on screen first.

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