The Parent Trap for the corporate set
If your kids have seen any version of The Parent Trap, they already know the DNA of this movie. The "identical twins separated at birth" trope is a cinematic staple, but Big Business swaps out the summer camp pranks for hostile takeovers and Manhattan hotel suite confusion. It’s a farce in the most traditional sense—lots of doors opening and closing, people narrowly missing each other in hallways, and mistaken identities that could be solved with one five-minute conversation.
The hook here is that you get two of the 1980s' biggest powerhouses, Bette Midler and Lily Tomlin, playing two characters each. Midler is essentially playing a version of her First Wives Club persona—bold, loud, and demanding—while Tomlin plays the more grounded, slightly neurotic counterparts. If your kids are used to the fast-paced, snarky dialogue of modern Disney Channel or Nickelodeon shows, the humor here will feel vintage. It’s not about quick-fire quips; it’s about the slow-motion car crash of four people in the same building who don't realize they are clones of each other.
The 1980s pacing problem
We have to talk about the speed. Modern comedies are edited within an inch of their lives to keep you from looking at your phone. Big Business hails from an era where a scene of a woman trying to hail a cab could last two full minutes. For a movie about a high-stakes business merger, it moves with the urgency of a Sunday brunch.
You’ll notice the "split-screen" technology of 1988 is doing a lot of heavy lifting. For the time, seeing two Bette Midlers on screen together was a technical marvel. Today, your kids will probably point out exactly where the "seam" is in the middle of the frame. It’s a fun bit of film history to discuss, but it adds to the general feeling that the movie is a museum piece rather than a living comedy.
A "background" movie for the family
This isn't the film you clear your Saturday night for. It’s the film you put on while the family is collectively folding laundry or building a massive LEGO set. Because the stakes are so low and the content is so sanitized, you don't actually have to pay attention to every second of the plot to know exactly where it’s going.
The conflict between the "big city" twins and the "small town" twins is predictable, and the resolution is wrapped up with a very tidy, very 80s bow. There’s a certain comfort in that predictability. If you’re looking for a way to introduce your kids to the legends of that era without worrying about the "edgy" humor that usually sneaks into 80s PG-13 flicks, this is the safest bet in the Disney+ vault. Just don't be surprised if the kids end up more interested in the giant shoulder pads and the size of the car phones than the actual plot.