Here's the thing: when critics give something 80% and audiences give it 32%, somebody's wrong. In this case, it's probably the critics.
She-Hulk tries to be a workplace comedy, a legal drama, a superhero show, and a meta-commentary all at once, and it doesn't really nail any of them. The fourth-wall breaking feels gimmicky rather than clever, and the show can't decide if it wants to tell Jennifer's story or just make jokes about the MCU.
Maslany is great, and there are moments where the feminist themes about workplace dynamics actually resonate. But those moments are buried under uneven writing, tonal whiplash, and a sense that the show is more interested in being clever than being good.
If you've got a teen who's obsessed with every corner of the MCU, they might enjoy the cameos and connections. But if you're looking for quality family viewing, there are way better Marvel options. The low audience scores and 5.2 IMDb rating tell the real story—this one's a skip for most families.