The Robert Eggers Experience
If you saw The Witch, you know Robert Eggers doesn't do 'halfway.' He builds worlds that feel 100% authentic to their time period, right down to the syntax of the insults. The Lighthouse takes that obsession to an extreme. Filmed on 35mm black-and-white film with custom-made lenses to mimic early 20th-century photography, the movie looks like a relic dug up from a shipwreck.
Why It's Polarizing
The film is essentially a two-man play. Robert Pattinson plays the newcomer, 'Ephraim Winslow,' a man with a secret who just wants to do his job and get paid. Willem Dafoe is 'Thomas Wake,' the veteran lighthouse keeper who treats Winslow like a slave and treats the lighthouse lamp like a goddess. The friction between them starts with chores and farts, and ends with axes and ancient curses.
"Darn ye! Let Neptune strike ye dead, Winslow!"
It’s funny in a pitch-black way, but the humor is buried under layers of grime. For parents, the 'Safety' score here is the primary hurdle. It’s not just the violence—which is blunt and messy—it’s the pervasive sense of dread and the explicit sexual fantasies that make it a 'wait until the kids are at sleepaway camp' watch.
Comparison to Other Horror
Unlike the jump-scare fests of the Conjuring universe, The Lighthouse is interested in the horror of the mind. It shares more DNA with The Shining or Persona than it does with modern slasher films. If your teen is a burgeoning cinephile who talks about 'composition' and 'A24,' they’ll likely love it, but for anyone else, it’s a challenging, albeit brilliant, slog.